spec fic iv launch

Don't forget!

Philippine Speculative Fiction IV Book Launch
5:30 PM U-View Theater, Fully Booked High Street

See you there! Jai Ho!

palanca 2009

In a nutshell, then.

The 59th Carlos Palanca Memorial Awards for Literature is open beginning March 1.

Each contestant may submit only one entry per category in the following:

English Division (Short Story, Short Story for Children, Essay, Poetry, Poetry Written for Children, One-act Play, Full-length Play)

Filipino Division (Maikling Kuwento, Maikling Kuwentong Pambata, Sanaysay, Tula, Tulang Isinulat Para sa mga Bata, Dulang May Isang Yugto, Dulang Ganap ang Haba, and Dulang Pampelikula)

Regional Languages Division (Short Story in Cebuano, Short Story in Hiligaynon and Short Story in Iluko).

New categories this year are Poetry Written for Children in the English Division and Tulang Isinulat Para sa mga Bata in the Filipino division. Entries must consist of a collection of at least 10 but not more than 15 poems. It may deal with any subject and must be comprehensible within the grade-school reading level of children ages 6-12, but accessible in its oral form by younger children.

Contest rules and official entry forms are available at the Palanca Awards' official website. For further information, call 856-0808.

Entries with complete requirements may be submitted to the Foundation's office at the 6th Floor, One World Square Bldg., 10 Upper McKinley Road, McKinley Hill Town Center, Fort Bonifacio, Taguig City or may also be entered online through the Palanca Awards website or sent through email at palancaawards@yahoo.com.

Deadline of submission of entries for this year's awards is midnight of 30 April 2009.

Winners will be announced on 1 September 2009.

(thanks, Ian)

world sf

TOC of "The Apex Book of World SF", edited by Lavie Tidhar (Apex), scheduled for later this year:

S.P. Somtow, The Bird Catcher,Thailand
Jetse de Vries, Transcendence Express, The Netherlands
Guy Hasson, The Levantine Experiments, Israel
Han Song, The Wheel of Samsara, China
Kaaron Warren, Ghost Jail, Australia/Fiji
Yang Ping, Wizard World, China
Dean Francis Alfar, L’Aquilone du Estrellas (The Kite of Stars), Philippines
Nir Yaniv, Cinderers, Israel
Jamil Nasir, The Allah Stairs, Palestine
Tunku Halim, Biggest Baddest Bomoh, Malaysia
Aliette de Bodard, The Lost Xuyan Bride, France
Kristin Mandigma, Excerpt from a Letter by a Social-realist Aswang, Philippines
Aleksandar Žiljak, An Evening In The City Coffehouse, With Lydia On My Mind, Croatia
Anil Menon, Into the Night, India
Mélanie Fazi, Elegy, France (translated by Christopher Priest)
Zoran Živković, Compartments, Serbia (translated by Alice Copple-Tošić)

valentine girl + eating

Sage turned 7 on Valentine's Day (I keep telling her that she's her parents' love child). Her special request: a rockout party at Red Box where she belted out Katy Perry (it makes me grimace when, at the start of "Hot n Cold", she says the word for the female dog), Shontelle and others. Rowan bounced to all the singing (yet another crooner-in-the-making) while the older kids pigged out (the white fish was delicious).


The next day, we had lunch at my mother's then met all her cousins (on Nikki's side) at Outback where mountains of food were served, then dinner at Pancake House where Sage amazed us with her Speed-stacking prowess.


Bloated and happy, I still find it hard to believe that she's seven. Part of me is a little sad because I feel the inexorable passage of time. But then again, I always feel like this when I think of Sage. I hope to be around for all the other important events in her life.

@taboan

"Taboan" means "meeting place", among other things, and my first day as one of the delegates from all over the country was both pleasant and enlightening. It was great seeing old friends again, as well as people I see only on special occasions (like awards nights) - but even better was being able to meet writers I knew only through their work or reputation. As if I needed convincing before, I am utterly of the belief that the "Imperial Manila" train of thought (i.e. that the "best" writers come only from Manila) is a crock of bull. The mix of senior writers and younger writers was wonderful (and I had my second galvanizing talk with F. Sionil Jose).

I enjoyed the discussion sessions that I attended, one as a spectator cum resource speaker, and the other as a panelist. The first one was on writing as a living (flash fact: writers like Krip Yuson and Butch Dalisay can charge something like a million pesos to write a biography or coffee table book). The second one was on mainstream alternates where I got to talk about spec fic.

I look forward to rest of the conference. So far, the NCCA deserves kudos for implementing such a good thing.

Go visit the Taboan site.

TABOAN: Philippine International Writers Festival 2009

TABOAN: Philippine International Writers Festival 2009
11 to 13 FEBRUARY 2009
University of the Philippines Diliman (Feb 11)
Ateneo de Manila University (Feb 12)
Cubao Expo (Feb 13)

DAY 1, FEBRUARY 11, WEDNESDAY
University of the Philippines
Diliman, Quezon City

9:00AM OPENING PROGRAM
Venue: Pulungang Claro M. Recto, Bulwagang Rizal

Welcome Remarks
• UP Diliman Chancellor Sergio S. Cao
• NCCA Chair Vilma L. Labrador
• Festival Director Ricardo M. de Ungria
• Festival Coordinator Jose Y. Dalisay, Jr.

PHILIPPINE LITERATURE TODAY. The keynote address, a synoptic overview of where we’ve been and where we are, taking into account our literature in Filipino, English, and the regional languages; Philippine literature in the 21st century; and Philippine literature in the Asian and global context. To be delivered by National Artist Francisco Sionil Jose.
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD

9:45AM A TRIBUTE TO EDITH TIEMPO. The tribute to National Artist Edith L. Tiempo is a short poetry reading by Merlie Alunan, Dinah Roma, and Ronald Baytan, who all attended the Dumaguete National Workshop and have been influenced by Tiempo’s poetics. To date, Edith Tiempo is the sole woman National Artist for Literature.
Moderator: Marjorie Evasco
Venue: Pulungang Claro M. Recto, Bulwagang Rizal, UPD

10:30AM GANITO KAMI NOON: WRITING THROUGH THE DECADES. A plenary panel discussion to set the tone for all other panel discussions. A representative each from the 50s, 60s, 70s, 80s, and 90s can talk about the conditions for writing and publishing in their eras and how things have changed, or maybe not. And where do we go from here?
Panelists: Elmer Ordonez (1950s), National Artist Virgilio S. Almario (1960s), José Pete Lacaba (1970s), Marjorie Evasco (1980s), Angelo Lacuesta (1990s)
Moderator: José Y. Dalisay, Jr.
Pulungang Claro M. Recto, Bulwagang Rizal, UPD

1:30PM ICONS OF THE NEW CENTURY: WRITERS WHOM WRITERS READ. Who are you reading and why? Who's your literary daddy (or mommy)? A discussion of literary influences and how they are shaping contemporary Philippine literature.
Panelists: Rebecca Añonuevo, Franklin Cimatu, Carlos Cortes, Francis Macansantos, Katrina Tuvera
Moderator: Gémino H. Abad
Venue: CAL New Building (CNB), Room 508

WRITING FOR A LIVING. What's writing like as a profession in the Philippines? What writing jobs pay, and how can writers get them? How should writers deal with writing commissions? What about copyrights and contracts? How do we break into the global market and find and deal with agents?
Panelists: Vietnamese writer Nguyen Bao Chan, Tony Enriquez, Kragi Garcia, Luis Katigbak, Charlson Ong, Alfred Yuson
Moderator: José Y. Dalisay, Jr.
Venue: CAL-AVR, 2/F Bulwagang Rizal, UPD

THE CREATIVE WRITING CLASSROOM. The teaching of creative writing, for the teachers among us: challenges, strategies, approaches, tips and tricks in the creative writing classroom.
Penelists: Merlie Alunan, Conchitina Cruz, Jun Cruz Reyes, Macario Tiu, Ricardo de Ungria
Moderator: Cristina Pantoja Hidalgo
Venue: CNB Inquirer Room 201

WORKSHOPPING THE WORKSHOP, ORGANIZING WRITERS. A review of the Dumaguete, Baguio, and Iligan workshops, plus maybe the biggest school-based ones, and how they grew. A sharing of best practices, as well as a discussion of common problems and situations. This panel can also deal with writers’ organizations, centers, institutes, and programs.
Panelists: Vicente Groyon III, Christine Godinez-Ortega, V.E. Carmelo D. Nadera Jr., Benilda Santos, Anthony Tan
Moderator: Lito Zulueta
Venue: CNB Rm 309

3:30 PM WRITING OFF-CENTER: THE REGIONAL EXPERIENCE. How goes creative writing and literary publishing outside of Metro Manila? Have new centers of literary activity emerged, and what are the keys to their success? What does it take to promote writing from the regions to broader audiences?
Panelists: John Bengan, Jose Jason Chancoco, Rey Duque, David Genotiva, Alice Tan-Gonzales
Moderator: Ricardo de Ungria
Venue: CNB Inquirer Room 201

ATBP: WRITING OFF THE MAINSTREAM. Gay/lesbian literature, chick lit, "spec fic", Chinoy lit , and all that jazz. What alternatives exist to straight, realist, mainstream lit? Is this kind of "pigeonholing" good or bad—or, when is it good, and when is it bad?
Panelists: Dean Francis Alfar, Jhoanna Cruz, J. Neil C. Garcia, Jaime An Lim, Tara FT. Sering
Moderator: Danton Remoto
Venue: CNB Room 309

FILIPINO-NESS IN THE GLOBAL AGE. A perennial hot topic in the blogosphere. How can "Filipino-ness" be defined? Is it an absolute necessity in this age of globalization? Is "nation" even a relevant concept? How can this be manifested in a literary work? Why don’t we seem to see enough of such central elements of Filipino life as crime, sex, and humor in our literature, or is that only in English?
Panelists: Efren Abueg, Leoncio Deriada, Cristina Pantoja Hidalgo, Resil Mojares, Timothy Montes
Moderator: Isagani R. Cruz
Venue: CAL-AVR


DAY 2, FEBRUARY 12, THURSDAY
Ateneo de Manila University
Katipunan Avenue, Loyola Heights, Quezon City

9:00AM PLENARY
Venue: Leong Hall Auditorium
Program
• Opening Remarks, Prof. Ricardo de Ungria, Commissioner for the Arts, NCCA
• Welcome Address, Dr. Ma. Luz Vilches, Dean of the School of Humanities
• Message, Dr. Antonette Palma-Angeles, Academic Vice-President, AdMU
• A Concise History of 150 Years of Ateneo Writing
• Open Forum
• Tribute Proper
• Screen Presentation on Emmanuel S. Torres and Reading of Citation
• Screen Presentation on Gregorio C. Brillantes and Reading of Citation
• Response of the Honorees
• Closing Remarks, Dr. Ma. Luisa Torres Reyes, Chair, Dept. of English

1:00PM ATENEO GALLERY AND LIBRARY TOUR

2:00PM PARALLEL SESSIONS

THE POET-CRITIC. The issue of how art and criticism interface has been a central topic even in the creative writing curricula of top universities worldwide. Whether our writers have found the interface uneasy or comfortable, consciously or unconsciously, it has shaped the craft and aesthetics of generations of authors in the Philippines.
Panelists: Gemino H. Abad, Exie Abola, J. Neil Garcia, Allan Popa, Jun Cruz Reyes, and Thai fictionist/screenwriter Prabda Yoon
Moderator: D(anilo) Francisco (M) Reyes
Venue: Social Science Conference Rooms 1 & 2

TEXT AND CONTEXT. The encounter between art and politics, writing and ideology, or aesthetics and social engagement, has been a significant consideration in countries like the Philippines as it has been said to make for bad writing and good politics/bad politics and good writing. Thus, these binary categories have been considered mutually exclusive practices by some writers, but deemed mutually constitutive commitments by writers.
Panelists: Isagani R. Cruz, National Artist Bienvenido Lumbera, Danton Remoto, Roland Tolentino
Moderator: Oscar Campomanes
Venue: Social Science Conference Rooms 3 & 4

PUBLISHING FOR THE FUTURE. No literature can prosper without publishing, but publishing itself is taking on new forms and challenges in this new century, such as online publishing and print on demand. What directions will Philippine literary publishing and Philippine literature itself take in the foreseeable future? What can the Philippine academic and commercial publishers do to promote literature here and abroad? Are there alternatives to mainstream publishing that can be explored, and can they be commercially viable?
Panelists: Karina Bolasco, Adam David, Antonio Hidalgo, Esther Pacheco
Moderator: Maricor Baytion
Venue: NGF Conference Rm, G/F De La Costa Hall

4:00PM PARALLEL SESSIONS

FEMINISM IN OUR MIDST. The question of how women writers write under conditions quite distinct from men writers has been a source of dynamism and controversy in both their works and the criticism on their work. This has been a point of contention in recent literary history as some women writers organize themselves as women writers, weaving literature and sharing life.
Panelists: Rica Bolipata-Santos, Cristina Pantoja Hidalgo, Priscilla Macansantos, Aida F. Santos, Dinah Roma-Sianturi, Hope Yu
Moderator: Benilda Santos
Venue: Social Science Conference Rooms 1 & 2

LITERATURE IN ACTION. Non-canonical texts abound in contexts like the Philippines in which literature’s energies come from places quite apart from "Literature." Foremost among this type of literary production is the whole range of performative practices which create cultural "events" as opposed to literary "art." Most prominent examples of this range from avant-garde forms to so-called "agit-prop" art in which visual and/or performance artists and educational and community theater groups like PETA have been making a splash in the international art and academic scene since the 80s and 90s.
Panelists: Michael Coroza, Steven Patrick Fernandez, Servando Halili, Bonifacio Ilagan, Glenn Mas
Moderator: Gary Devilles
Venue: Social Science Conference Rooms 3 & 4

CHILDREN’S LITERATURE. In the Philippines, it has been said that the reading fare of Filipino children continues to be dominated by children’s literature from the West, as evidenced by the children's books usually on display in major book shops. Nevertheless, it can be argued that for decades now, significant headway has been made in providing alternative reading materials for Filipino children by publishing houses like Aklat Adarna and noted Filipino authors and published locally in English, Filipino and other Philippine languages. What genres have been developed in children’s literature by Filipinos? Are these genres a mere imitation of the western models? Has the production been enough to begin to draw up a canon of children’s literature in the Philippines? What has been the impact of children's literature on the readers? What role must children's literature play in the Philippines?
Panelists: Cyan Abad-Jugo, Christine Bellen, Jean Lee Patindol, Ramon V. Sunico
Moderator: Jerry Respeto
Venue: NGF Conference Room, G/F De La Costa Hall

5:00PM DINNER
Venue: Leong Hall Roof Deck
• Closing Remarks, Dr. Assunta Cuyegkeng, Vice President, Ateneo de Manila Univeristy-Loyola Schools


DAY 3, FEBRUARY 13, FRIDAY
Cubao X, Araneta Center, Cubao, Quezon City

9:30AM PLENARY
Venue: Cubao X
Hosts: Angelo R. Lacuesta, Festival Coordinator; Joel Toledo, Festival Assistant Coordinator

10:00PM PARALLEL SESSIONS

HOME, ROAM, AND AWAY. Publishing locally versus publishing abroad. How does place of publication—or place of writing—affect or define your audience, or your career or your work? This should also function as a guide for those who seek international publication: what are the challenges and what are the chances?
Panelists: Vicente G. Groyon III, Mookie Katigbak
Moderator: Lourd Ernest De Veyra
Venue: Mogwai 2

THE END OF PRINT. Web-based publishing, traditional print publishing, and print-on-demand: the meaning of publication has multiplied so much these days. Has the meaning of quality, or rigor, or intent changed as well? How has this affected today’s writer? Has he (or must he) achieve convergence, or should there be dividing lines?
Panelists: Roberto Añonuevo, Adam David, Jean Claire Dy, Luis Katigbak, Edgar Samar
Moderator: Dean Francis Alfar
Venue: Pablo

WRITE TO LIFE. Writing to live, or living to write? Many literary writers have commercial writing careers—but what about other lines of work? And what of the lines that divide work and writing? This discussion covers all sorts of jobs writers must take—and the amount of confrontation and compromise writers must endure. It will also cover tips and tricks to avoid burnout and “multitasking hell.”
Panelists: Josua Cabrera, Dominique Cimafranca, Mikael de Lara Co, Ramil Gulle, Victor Dennis T. Nierva
Moderator: Frank Cimatu
Venue: Kolektib 1

LINGO NG WIKA. Language and authenticity in Philippine literary practice—it’s an old argument. So should we be done with it, then? Or shouldn’t we? (This conversation covers all Filipino languages.)
Panelists: Genevieve Asenjo, John Barrios, Jaime Jesus Borlagdan, Jose Jason Changcoco, Jason Laxamana, Glen Mas, Voltaire Oyzon, John Iremil Teodoro
Moderator: Rica Bolipata-Santos
Venue: Kolektib 2

GLOBAL WARMING. A plenary discussion over lunch featuring Asian and Filipino writers who have gone “global.” Our international panelists will discuss the challenges and rewards of writing in their local language and still achieving international recognition and popularity. The panel will also discuss practical tips on international grants, fellowships and exchange programs.
Panelists: Nguyan Bao Chan, Conchitina Cruz, Dinah Roma-Sianturi, Prabda Yoon
Moderator: Angelo R. Lacuesta

2:00PM PARALLEL SESSIONS

PURO FORMA. The formal versus the experimental in poetry—is there a conflict? Young poets discuss the issues (and, inevitably, the non-issues) that abound.
Panelists: Michael Coroza, Conchitina Cruz, J. Neil C. Garcia, Mookie Katigbak, Angelo Suarez
Moderator: Allan Popa
Venue: Mogwai 2

MOVING UP IN THE WORD. Building the literary career—does it still have the same requirements as ten years ago, or are there new ways to get that break? Is the PalancaTM Award still the quickest path to writerhood? Or is that old-school thinking? What’s a literary career anyway?
Panelists: Efmer Agustin, Janice Bagawi, Arifah Jamil, Junley Lazaga, Leonila Lopido, Monica Macansantos, Harold Mercurio
Moderator: Mikael Co
Venue: Pablo

FICTIONAL SHOWDOWN. This is a friendly showdown between the realms speculative fiction and “non-speculative” fiction—its advocates, practitioners and its subject matter. Also up for discussion: attempted definitions, blurred boundaries and common goals.
Panelists: Dean Francis Alfar, Adam David, Jonathan J. Siason, Alvin B. Yapan, Prabda Yoon
Moderator: Ian Casocot
Venue: Kolektib 1


4:00PM PARALLEL SESSIONS

ALL ABOUT MY OTHER. The I versus “otherness” in poetry: how do they figure in your work? Insights, questions, problems and answers on this mind-boggling topic.
Panelists: Ronald Baytan, Kristian S. Cordero, Conchitina Cruz, Larry Ypil
Moderators: Carlomar Daoana, Dinah Roma-Sianturi
Venue: Mogwai 2

UNSCRIPTED. Playwrights, screenwriters and writers in general discuss the difficulties of writing for the stage and screen—from the issue (or non-issue) of language and the challenges of the craft, to the long road to production and the burden of having to win the audience.
Panelists: Jhoanna Cruz, Glen Mas, John Iremil Teodoro
Moderator: Jun Lana
Venue: Pablo

THE YOUNG AND THE LITLESS. Is the Filipino youth worth writing for? In the age of the Internet and digital home entertainment, Filipino children and young adults have so much to see, hear and read—without having to open a book. How does this affect the youngest generation of the Filipino literary audience? How does this affect the Filipino writer?
Panelists: Christine Bellen, Jean Lee Patindol
Moderator: Tara FT Sering
Venue: Kolektib 1

THE STORY OF OUR LIVES. Short story writers and novelists discuss the concerns of today’s fictionist—from language and style to themes and subject matter. Also to be discussed: getting published internationally, and the problem and the burden of writing long-form work.
Panelists: Vincente Groyon III, Arifah Jamil, Luis Katigbak, Januar Yap, Alvin B. Yapan
Moderators: Genevieve Asenjo, John Bengan
Venue: Kolektib 2

6:30PM PLENARY: DEAR NCCA. What can the NCCA do for the younger or emerging writer? This discussion hopes to come up with a wishlist for the NCCA, covering specific measures of support for the Filipino writer.
Moderators: Angelo R. Lacuesta, Joel Toledo
Venue: Mogwai

8:00PM CLOSING CEREMONIES
• Address, National Artist Virgilio S. Almario
• NCCA Resolutions
• Response and Closing Address, Ricardo de Ungria