Sunday, December 19, 2010

ghosts of wan chai

One of my stories, "Ghosts of Wan Chai", is in the December issue of Our Own Voice.

It was first published in "Connecting Flights", an antho edited by Ruey de Vera.

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Tuesday, October 06, 2009

secondary worlds

The Farthest Shore: An Anthology of Secondary World Fantasy from the Philippines is live and free for reading. Edited by Joseph Nacino and myself, the antho collects stories set in places other than the world we know.

Go and check it :)

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Friday, March 27, 2009

dark blue southern seas 2009


Dark Blue Southern Seas 2009, edited by F. Jordan Carnice, is scheduled for release next month. My story "Messiah" appears there - and I'm happy to be part of a publication from Silliman, dedicated to Edith Tiempo. Like many writers who had the opportunity to spend time with her at Dumaguete, I call her "Mom". Thanks Fred and Ian!
The new issue features the literary works, art, and photography of... (clipped from Ian and Fred):
Gémino H. Abad
Dean Francis Alfar
César Ruìz Aquino
Kris Dave Austero
Jan Paulo Bastareche
Lawrence Bernabe
Eliora Elysse Bernedo
F. Jordan Carnice
Ian Rosales Casocot
Darwin Chiong
Phillippe Credo
Carlomar Arcagel Daoana
Michelle Eve de Guzman
Marguerite Alcarazen de Leon
Rodrigo dela Peña
Jean Claire Dy
Mariekhan S. Edding
RV Escatron
Marvin Flores
Ralph Semino Galan
Deil Jossaine Galenzoga
Gilbert Agustin Ganir
Carlos Arsenio Teves Garcia
Christine Godinez-Ortega
Cristine Pantoja Hidalgo
Luis Joaquin Katigbak
Marie La Viña
Susan S. Lara
Gabriela Lee
Francis C. Macansantos
Katherine Macaroy
Robert Jed Malayang
Timothy R. Montes
E. P. Ortega
Ned Parfan
Myrna Peña-Reyes
Michael Regalado
Danton Remoto
Celeste June Rivera
Raszceljan Luiz Salvarita
Zakiyah Sidri
Sonia SyGaco
Ramon Yasunari Taguchi
Anthony Tan
Yvette Tan
Marianne Tapales
Mia Tijam
Rowena Tiempo Torrevillas
Janet Villa
Miguel Ybañez
Ernesto Superal Yee
Lawrence Ypil

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Thursday, March 26, 2009

early bird


The Apex Book of World SF, edited by Lavie Tidhar is available for pre-orders. It's scheduled for release September 1, 2009. I'm very happy about this book - the fanboy in me is unabashedly delighted to be rub elbows with S.P. Somtow and Zoran Zivkovic. With Tin Mandigma, the Filipino count in the antho is two (yes, the secret plan is to take over the world one international antho at a time).

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Tuesday, March 03, 2009

archived fiction: in the dim plane


In the Dim Plane
by Dean Francis Alfar

After the end of the world, the hardest thing to fight is loneliness. I have never been truly sociable and eschewed the company of the few others here. With almost no power left and no way to recover any more, I managed to secretly maintain only one animated skeleton for companionship in the frenzy of escaping Forlorn’s destruction. Between the two of us, my sanity, my world, is kept intact.

I had left my cave on my way to meet the others – something that happens every year or so, at their insistence - when I unexpectedly encountered a ghost.

It was a beautiful woman with dark hair and sad eyes.

In any other place, in any other time, this would not have fazed me. I am, or was, after all, the greatest Necromancer of Forlorn. However, in this place of shadows, on the Dim Plane, I had barely enough power to do the simplest unnatural thing and could not defend myself if this was one of the hungry ones.

“What do you want, ghost?” I said with false bravado, at a loss to explain how a ghost came to be here, in this remote sanctuary, in the first place.

“Please,” the ghost said, holding out a small ornate sandalwood box toward me.

Before I could reply, she dissolved into the dimness, the box she held settling down softly near my feet. I sensed that it was end of her tenuous existence. I took the box, both puzzled and pleased. Puzzled, because here was a mystery; pleased, because it was something I could think about.

Just as I was about to open the box, a voice boomed out from the dimness.

“Teros?”

It was Lord Jussin the Betrayer, broad-shouldered and crooked-nosed, also on his way to meet with the others. I quickly hid the box in my vestments. It was not something I wished to share with a spavined craven like Lord Jussin.

“Teros,” Lord Jussin said with a scowl. “It is you. Come, old man. We might as well walk together toward our tiresome pretense of bonhomie.”

A fallen paladin who had denounced his queen for the promise of power, I did not feel Lord Jussin deserved to be in the Dim Plane. But somehow he found a means to get here, as the others and I did, so we all had to co-exist in peace.

There are precisely five of us living in the Dim Plane, survivors of the end of the world that we knew forty years ago. Though at first we kept away from each other, as time passed we began to seek each other’s company. We didn’t speak much then; it was sufficient just to see that someone else was here. But eventually, we began to exchange glances of feigned disinterest, then to talk, and finally we agreed to regular gatherings, sometimes as often as twice a year. At least it was something to do.

Braxas, Harrower of Flame, was the first to approach me. Later, I made the acquaintance of Lizel Gorgist, the Widow’s Bane. Lord Jussin the Betrayer was next, and the maxim-laden polymath Resa Undermasque, who had bartered parts of her body for knowledge, was last.

On Forlorn, the world that we lost, we knew each other only by name and reputation, our interests and agendas separated by oceans and continents. Each of us had, in the past, ruled parts of the world or made war with those who stood in our way, through virtue of craft, blade, politics or poison. In the Dirmoth Archipelago, I built my kingdom of undead, crushed the noble houses that dared oppose me, and taught men to tremble at the mere mention of my name.

Very few could stand against any one of us in our respective domains, and in truth I had begun to make plans to teach the rest of the world the lessons known only by the dead. But all our plans were made pointless when the Ebonnites erupted from the bowels of world, unleashing terror that made our all our fell deeds and dark ambitions pale in comparison. The graves of Dirmoth, ancient and new, were exhausted before I conceded defeat.

The Ebonnites conquered Forlorn. And as far as we know, of the entire populace only five of us found the means to escape to this place of dolorous shadows where we know neither hunger nor thirst but only sempiternal tedium. Five of us, blackguards all. The irony is not lost on me.

Lord Jussin and I arrived at the circle of stones and found the others already there. Resa Undermasque, her violet eyes gleaming from behind her salt-encrusted veil, had taken her customary place while Lizel Gorgist, the scarred side of her face covered by tangled black locks, stood speaking to a clearly agitated Braxas.

“Teros!” Braxas exclaimed when he saw me. He limped in my direction. “I’ve been waiting for you.”

“Braxas thinks he’s seen a ghost,” said Lizel Gorgist, acknowledging my arrival with a slight nod. She raised a fractured crystal that was once so useful to her. “Even if this weren’t impotent, I wouldn’t need it to ascertain the absurdity of his fantasy. Here where there has been no one and nothing but us for forty years.”

“A ghost,” I repeated, hiding the trembling in my voice. If Braxas knew something about the apparition, then we would talk. But later, when the gathering was over and the others had left. “Why do you think you saw a ghost?”

“She’s come to… ” Braxas’ voice trailed off. He made as if to say more but ended up just gesturing in the thick air.

“I think you’ve gone mad,” said Lord Jussin, following his declaration with an unkind snort. “The dimness has finally claimed you.”

“No, I’m in full control of my faculties, Jussin,” Braxas replied, shaking his head. “I’m certain it was her.”

“Lord Jussin,” Lord Jussin offered as a curt correction, stroking his raddled beard. “Let us not forget who we are, even in exile.”

“The ghost, Braxas,” I asked, taking my place in the circle. “Who do you think she was?”

“Ah,” Lizel Gorgist exulted, finally putting away her dull crystal. “I wouldn’t mind a story. It’s been an age since Resa told us hers, remember?”

Resa Undermasque sat unmoving.

“Wouldn’t you all rather hear another of my exploits?” Lord Jussin said, resting his armored figure on a stone with aggrieved dignity. “It’s pathetic how we make do with whatever entertainment comes our way.”

I gestured for Lord Jussin to keep quiet. Lizel Gorgist seemed pleased at his silent outrage.

“So, who was she?” I asked Braxas once again.

Braxas, Harrower of Flame, sighed and sat down, obviously shaken. “Maia was the most beautiful woman in the world. I don’t care what you think, what you know, or who you’ve known. There was simply no question about it. One look at her and you were lost forever. And such a kindly woman too. No airs about her.”

“Sounds too good to be true,” Lizel Gorgist, the Widow’s Bane, shook her head. “In my experience, women like that have the heart of scorpions.”

“No one is interested in what you have to say,” Lord Jussin the Betrayer said.

“Gods of Forlorn!” I exploded. “Let him speak.”

Braxas smiled weakly and continued. “She was wed to my master, the great Antilos, Master of the Dark Elements. And while my master was a perfect teacher, he wasn’t known for his kindness, so we speculated often what Maia saw in him.”

“Who’s ‘we’?” asked Lizel Gorgist.

“My three brothers and I,” replied Braxas. “We were his students.”

“Certain things see beyond the surface,” Resa Undermasque uttered harshly from her place among the stones, startling all of us with a sudden motion of her robes. “Love sees what can be seen; desire prefers the taste of secrets and the tantalizing tang of the unknowable.”

We all averted our gazes from her form for a moment, allowing the sudden intense stench of fathomless oceans that came from her to waft over us. None of us uttered a word, unwilling to draw attention to the reek. We had leaned early on that she did not take kindly to candid observations. When the odor dissipated, I politely motioned for Braxas to continue.

“Where was I,” Braxas asked, taking a shallow breath. “Oh, yes. Master Antilos and Maia were wed. And he loved her and she loved him. My brothers and I continued our education and went on to specialize, each in a fatal elemental art. I mastered fire, of course.”

“Of course,” I said, shifting in my seat. In the fallen world, Braxas’ talent with punishing flame was justly feared.

“At the moment we achieved the pinnacle of craft, Master Antilos presented each one of us with identical rings, proof of our prowess in his eyes. Each of the rings bore his oriflamme, a closed fist. Receiving the ring was one of the happiest days of my existence. I wore it with pride for years.”

“Don’t make this story about you,” Lizel Gorgist said with a curled lip, tilting her head. “What about the woman?”

“One day-- ,” Braxas began.

“Widow’s Bane,” Lord Jussin the Betrayer intoned in a stentorian voice, fingering the pommel of his broken sword. “You will keep your mouth shut and listen to the story -- or else face my unholy wrath.”

Lizel Gorgist, whose subtle sorceries had slain numerous men better than Lord Jussin in the past, ignored the mordant threat and favored him instead with a smile filled with teeth. She offered no retort.

It would be pointless to fight anyway. Nothing worked here: Lizel Gorgist’s mystic artifacts were no more than odd trinkets and baubles, and the remnants of Lord Jussin’s blade would fail to break skin. The Dim Plane deadened everything we had. But still we kept what little we managed to bring from the old world. These things retain the potency of memory, reminding us of who we once were. I smiled at the notion that I was not alone in keeping what was dead close by.

“Carry on, Braxas,” Lord Jussin said, mollified.

“One day, Master Antilos woke up from a terrible dream. In his dream Maia was coupling with another man. Deeply disturbed -- for he believed in the provenance of dreams-- he began to brood and suspect her, confiding in no one, looking for any signs of an adulterous slant. He found none and life went on, but the quality of their togetherness had changed.”

“True, true,” whispered Resa Undermasque, her words accompanied by the rustle of fabric. “What remains unspoken breeds demons.”

I steadied myself against the customary saline stench that accompanied her words.

“It was a few years before the terrible day of confirmation arrived,” Braxas continued. “The world offered incontrovertible proof of his suspicions when he returned unexpectedly early from a sojourn. Looking for his wife, he found instead, in their bedchamber, wedged between the sheets, one of the rings he had given my brothers and myself. Outraged, he used his power to summon all of us, feigning a message from Maia herself. He thought that the guilty party would immediately attend to his traitorous wife’s call.”

“Now it gets interesting,” Lizel Gorgist said, moving closer to Braxas, oblivious to the dark stare of Lord Jussin the Betrayer.

“Who came?” I asked. “Which one was it?”

“I came,” Braxas said simply. “For I was her lover and had foolishly removed the ring before an act of passion, so as to reduce my guilt.”

“Well,” exclaimed Lord Jussin, raising a gray eyebrow. “Well, well.”

“Gods of Forlorn,” I murmured, tired of stories of the heart’s betrayal.

“Good for you, Braxas,” Lizel Gorgist said. She reached out a slender arm, patterned with tattoos that once held immeasurable power, and stroked Braxas’ bald head. “I always thought there was something behind your monkish exterior.”

“Speak,” hissed Resa Undermasque, her voice scarcely above a briny sigh. She shifted to a more comfortable position on her stone, issuing a glistening appendage from the depths of her discolored robes to maintain her balance as she moved, for an instant intimating just what she had willingly transformed herself into in times past.

Braxas gently pushed away Lizel Gorgist’s hand before he continued. “When I arrived, I was surprised to see my master. He brandished my ring in front of me and I would have perished then and there – for at that time he was more formidable than I – if not for the fact that the door opened. There another of my brothers stood, equally in shock, for he too, it turned out, enjoyed Maia’s graces. And in quick succession, my two other brothers arrived, one after the other, responding to the cry of the woman whom they also loved and knew in ways inappropriate to her status as a married woman.”

“I love this woman, I really do.” Lizel Gorgist’s laughter rose and faded in the dimness. For a moment, I imagined the deadly splendor of her lost youth in the way mirth shaped her mouth.

Lord Jussin the Betrayer stared into the shadows in silence.

“What happened next?” I asked, taking off my skullcap.

“We fought, of course,” Braxas said. “We each felt betrayed, each thinking we were the only recipient of Maia’s love. The room erupted in fire, was torn apart by wind, ravaged by an earthquake, and almost washed away in a deluge as my brothers and I fought each other and our master. It ended as suddenly as it began, with Master Antilos collapsing to his knees in tears. My brothers and I – our hearts were filled with an undeniable heaviness and felt full force the senselessness of fighting among ourselves when there was clearly only one person to blame.”

“The heart betrayed has no secrets left to hide,” murmured Resa Undermasque, a halo of salt crystals barely visible above her head. “And everything to prove.”

“Oh, no,” said Lizel Gorgist, holding the high collar of her tattered overcoat to cover her nose.

“The trollop deserved it,” said Lord Jussin, stepping a small distance away from Resa Undermasque.

Braxas fixed Lord Jussin with a steady glare before continuing. “We apologized to our master and swore to set things right. Master Antilos proved he was a better man than any of us by forgiving us. Together, we decided how Maia would pay for her quintuple deception.”

“Men,” said Lizel Gorgist, lowering her collar to spit. “Did any of you stop to think that you, each one of you, were just as complicit as she was?”

“Sadly, no,” replied Braxas. “We decided that death was too good for her.”

“Really?” I exclaimed in surprise.

“Let me guess,” offered Lizel Gorgist. “You decided to mar her beauty.”

“Yes,” nodded Braxas. “It would be worse than just killing her. After all, that was her only coin, being untrained in the ways of elemental art. We also decided that none of us would do it, being unwilling to further sully ourselves with her presence. So we commissioned a man to do it. A man whose word was his bond.”

“Who?” I asked.

“We hired Ordun the Handsome, the Gray Knife, to cut off her ring finger,” Braxas said.

I felt words recoil on my tongue.

Lord Jussin the Betrayer shuddered in the silence that followed. Lizel Gorgist, the Widow’s Bane, could do no more than sit back with a pained expression. And from Resa Undermasque’s place in the circle of stone came only an almost muted susurration.

“You commissioned Ordun the Handsome, the greatest assassin of Forlorn?” Lizel Gorgist shook her head. “As black as my heart was at the height of my powers when I broke away from the Sorceriat, Ordun’s feats outshadowed mine.”

“You found him? You could afford him?” Lord Jussin the Betrayer asked. Everyone in the circle of stone knew that Ordun’s fees were outrageous and that his craft prevented him from being located if he did not wish it.

“Master Antilos found him, pushing his abilities to their limits. And as for the fee, my Master offered him a principality in Nevim, and much more besides.”

“Who cares what he asked for,” Lizel Gorgist said. “Did he succeed?”

“Don’t you think hiring Ordun the Handsome was excessive?” asked Lord Jussin. “To cut off a woman’s finger?”

“We wanted the best and we wanted to make sure,” shrugged Braxas.

“Well,” said Lizel Gorgist. “I am certain she finds a way out somehow. She does, doesn’t she?”

“Doesn’t she?” I echoed.

“When Ordun the Handsome found Maia hiding atop an abandoned tower in the woods near Karvel, he took one look her and found himself startlingly, helplessly, in love.”

“In love?” asked Lord Jussin in disbelief.

“What?” I said.

“Yes!” cried Lizel Gorgist. “Now she has a chance.”

“But I thought the woman had no powers,” asked Lord Jussin. “How did she ensorcell Ordun?”

“She’s a woman,” Lizel Gorgist told Lord Jussin without looking at him. “That’s power enough.”

“It is love.” Resa Undermasque’s intricate veil fluttered, favoring us again with her brackish breath.

“Then what happened?” I asked, surreptitiously gasping for air.

“In that moment, they were all that mattered to each other. They held hands and spoke in the brief time they had. Maia confessed everything to him, leaving nothing unsaid, and Ordun the Handsome listened and loved her more for her courage and honesty. But there was still the matter of Maia’s ring finger. Without a single tear in her eyes, Maia offered hers to Ordun, taking a blade and putting her unsteady hand against a stone. She did not want him to be at odds with my master, my brothers and I. Having heard from him about his commission, she knew death awaited him if he failed to deliver. Ordun stopped her with a kiss and told her not to worry.”

“Oh,” said Lizel Gorgist. “Oh, I think I know what he’ll do next.”

“Ordun the Handsome had delicate hands, a requirement of his profession. He went to the other side of the tower roof and, unknown to Maia, cut off his own ring finger.”

“Oh, oh,” said Lizel Gorgist softly, covering her mouth with her hands.

“He did this quickly and in silence, then heard a gasp from Maia. While his back was to her, she had cut off her own finger. She raised the bloody digit and begged Ordun not to cut off his. She was speechless when he presented her his own severed finger.”

Resa Undermasque slowly shook her covered head.

“Such love is impossible,” Lord Jussin spoke quietly, as if besieged by memory.

I was already in tears. I looked around the circle of stones and found moisture welling up in Lord Jussin the Betrayer’s eyes; perhaps the old boor had a heart after all.

“Then we arrived,” Braxas said suddenly. “Soon after we sent Ordun the Handsome off, we started talking and realized how much we all loved Maia and were more than willing to forgive her and settle things somehow. After the tide of anger we were consumed by deep remorse and set off to stop Ordun from completing the terrible thing we had tasked him with. By combining our powers with that of Master Antilos, we were able to discern where they were, heard their conversation and surmised what was about to happen. We moved as fast as we could, by flame and wind and earth and water.”

“But you bastards were too late,” Lord Jussin interrupted.

“When we completed our ascent to the tower roof,” Braxas continued, “we came upon Maia and Ordun the Handsome, each with a finger cut. Ordun exploded into action and fought against us. Try as we might, we could not stop to talk – so puissant and vicious was Ordun at his craft that none of us could risk a word to enlighten him about our intent. He thought we were going to kill him for his betrayal.”

“I’ would have fought you all too,” I said, clenching my fists.

“As would’ve I,” boomed Lord Jussin, his tired eyes consumed with lost fire. “For love. And survival.”

Braxas nodded. “None of us wanted to harm or kill either Maia or Ordun the Handsome. At least that’s what I believe to this day. But with Ordun’s prowess and our summoning of the elements and various expressions of power, what happened next was inevitable. There was a tremendous explosion that devastated the tower.”

“No,” exclaimed Lizel Gorgist. “What happened to Maia?”

“When I regained my wits, I found myself on the ground, surrounded by the remnants of the tower – and the bodies of my three brothers. I wrenched myself free from where I was pinned and was moved to tears when I came across the hollowed-out form of my Master. Maia I found, barely alive. Cradled in her hands were two severed fingers – hers and Ordun’s.”

“And Ordun?” I asked, almost breathless.

“There was no trace of him at the rubble, so I assumed he survived and fled while he could. Though it must be said that the end of Forlorn was less than a year away, so I don’t know if he survived the Ebonnites.”

“Gods,” I whispered, my mind awhirl.

“And Maia?” Lizel Gorgist asked.

“I carried her back with me, did what I could to restore her finger to her hand. The physic who helped us told us that it would not be the same but offered as a consolation that at least she wasn’t incomplete. She sat through this all in silence, while the physic set and stitched and I explained to her about how everything came to pass. She wouldn’t say a word to me, and, if I remember correctly, never shed a tear. I left for a few hours to inform the necessary people about the deaths of my master and of my brothers. When I returned, she was gone.”

“She was gone?” asked Lord Jussin the Betrayer. “Just like that? Couldn’t a man of your abilities find her?”

“He let her go,” said Resa Undermasque quietly as the penumbra of salt around her head gently dispersed. “There are those who are not ours to keep.”

I felt the sting of her words and closed my eyes briefly.

“I did not wish to impose upon her heart,” Braxas admitted, lowering his head into his hands. “I knew that at the end, it was Ordun whom she loved. I never saw her again. The end of Forlorn saw to that. Well, until tonight when I thought I saw her ghost.”

The five of us sat in silence for a few moments, unmoving statues lost in reflection.

“She would not have stayed with you,” Lizel Gorgist softly told Braxas. “I know that kind of woman. She made her choice. I hope she found sanctuary somewhere, like we did.”

Lord Jussin stood up slowly and stretched his arms and legs in order. “I’ll take my leave now,” he told us. “Thank you for the small diversion, Braxas. It amused me, quite unexpectedly. ” He bowed and moved away.

“Gods of Forlorn,” I said under my breath, my thoughts on the contents of the ghost’s box I kept hidden on my person. I knew now, even without looking, what it contained, and how it would change my life.

“Listen, Braxas,” Lizel Gorgist said. “If it was her spirit you saw, then she was looking for him and not for you. Take what comfort you can from that.” She stood and took her leave, parting the shadows with her outstretched arms to return to her secret place on the Dim Plane, where she kept all her dead artifacts.

“I’m leaving as well,” I told Braxas, donning my equally useless skullcap. “I have something I need to do. Thank you for the story.”

“But Maia’s ghost– “ Braxas said, looking up to where I stood. “It was her I saw earlier. You must believe me.”

“I do. But like the Widow’s Bane, I also believe that she is gone and had no quarrel with you.”

“But how did she get here?” asked Braxas. “You know all about the undead. Tell me.”

It was the salt-tinged whisper of Resa Undermasque that answered him, fading, as its owner did, into the dimness. “A questing heart knows no boundaries.”

Braxas lowered his head.

“Fare you well, Braxas, Harrower of Flame,” I said, offering my arm.

“Fare you well then, Teros, Doom of Dirmoth,” Braxas said formally, clasping my arm in the manner of his people. “And thank you.”

I thought of the ghost and how it was me, and not Braxas, that she sought as I made my way through the dimness back to my haunt.

How did she know?

I could only admire her courage. And her devotion.

I reflected on the unassailable fact that years in exile changed people. I was simply not the man I used to be – which made my next choice easier to make but no less difficult to bear.

I entered my cave and moved into the central chamber where the last skeleton under my power sat mutely, tapping away time with nine fingers on a smooth stone.

Sensing my presence, he tilted his head toward me.

At that moment, I felt profound sorrow. Up until the time I left my cave earlier, just before Braxas and his story, I would never have considered, never even dreamed, of my next action.

Gods of Forlorn, how did she know?

He was mine. He was all I had left of the old world, my old world. By completing him I would lose him.

“Ordun,” I called to the skeleton, determined to act before my heart betrayed me. I retrieved the ghost’s box from within my vestments, my eyes wet as I prepared to say goodbye.

“I have something that belongs to you.”




*from "The Kite of Stars and other Stories"
** illustration by Andrew Drilon

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Tuesday, February 24, 2009

world sf

TOC of "The Apex Book of World SF", edited by Lavie Tidhar (Apex), scheduled for later this year:

S.P. Somtow, The Bird Catcher,Thailand
Jetse de Vries, Transcendence Express, The Netherlands
Guy Hasson, The Levantine Experiments, Israel
Han Song, The Wheel of Samsara, China
Kaaron Warren, Ghost Jail, Australia/Fiji
Yang Ping, Wizard World, China
Dean Francis Alfar, L’Aquilone du Estrellas (The Kite of Stars), Philippines
Nir Yaniv, Cinderers, Israel
Jamil Nasir, The Allah Stairs, Palestine
Tunku Halim, Biggest Baddest Bomoh, Malaysia
Aliette de Bodard, The Lost Xuyan Bride, France
Kristin Mandigma, Excerpt from a Letter by a Social-realist Aswang, Philippines
Aleksandar Žiljak, An Evening In The City Coffehouse, With Lydia On My Mind, Croatia
Anil Menon, Into the Night, India
Mélanie Fazi, Elegy, France (translated by Christopher Priest)
Zoran Živković, Compartments, Serbia (translated by Alice Copple-Tošić)

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Wednesday, January 07, 2009

call for submissions: the farthest shore

Secondary fantasy worlds are well-written fantasy stories that take place in a self-contained and self-consistent fantasy world created by the writer. These can be epic fantasy, high fantasy, or even dark (horror) fantasy.

The Farthest Shore: Fantasy from the Philippines, edited by Joseph Nacino & Dean Francis Alfar” will be published electronically to make this collection of stories available to a wider international audience. Through this anthology we will be able to show the world that the Filipino writer can create worlds with the best of them.

Combining these two ideas—the short story and secondary fantasy worlds—is well-within the Filipino author’s ability. As a guideline though, we are not looking for treatise or travel guide books of the secondary fantasy world. In the end, a good story and the humanity of the characters in them must take precedence over the well-formed setting.

In keeping with the concept of fantasy secondary worlds, stories based on Filipino mythology are acceptable.

Submission Guidelines:

1. Only works of secondary worlds in the mold of epic or traditional fantasy will be considered for publication. As works of the imagination, the theme is open and free.

2. Stories must cater to an adult sensibility. However, if you have a Young Adult story that is particularly well-written, send it in.

3. Stories must be written in English.

4. Stories must be authored by Filipinos or those of Philippine ancestry.

5. We will accept only original unpublished stories.

6. First time authors are welcome to submit. Good stories trump literary credentials anytime.

7. No multiple submissions. Each author may submit only one story for consideration.

8. Each story's word count must be no more than 7,500 words.

9. All submissions must be in Rich Text Format (.rtf – save the document as .rft on your word processor) and attached to an email to this address: estranghero@gmail.com. Submissions received in any other format will be deleted unread.

10. The subject of your email must read: F2W Submission: (title) (word count); where (title) is replaced by the title of your short story, without the parentheses, and (word count) is the word count of your story, without the parentheses. For example – F2W Submission: The Sword of Ivatan 4500.

11. All submissions must be accompanied by a cover letter that includes your name, brief bio, contact information, previous publications (if any).

12. Deadline for submissions is April 15, 2009. After that date, final choices will be made and letters of acceptance or regret sent out via email.

13.This anthology will be made available online via PDF file. Target publishing date is May 2009.

14. Compensation is Php500 for every accepted story.

Kindly help spread the word. Feel free to cut and paste or link to this on your blogs or e-groups – and send your story in.

Thanks,

banzai cat
http://estranghero.blogspot.com/

Dean Francis Alfar
http://deanalfar.blogspot.com/

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Thursday, November 27, 2008

new fiction: the malaya

I have a new story out in the November 29 issue of the Philippines Free Press: "Report HC-IK017785A-0097B-006 de Ocampo: Survey of artifacts found in the derelict vessel 'The Malaya'".
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Notes on a fMRIS scan, attributed to Dr. Jocelyn Montemayor (vessel’s physician); extracted from Montemayor’s audio logs

MONTEMAYOR: …suggest subject’s ventral tegmental areas unusually inactive. Begin note: test for quantities of dopamine in brain’s lower regions. May be answer for subject’s intense craving and audial hallucination. End note. Scan suggests subject’s nucleus accumbens, higher and forward than the ventral tegmental, is producing extraordinary amounts of oxytocin. Begin note. Oxytocin is the body’s most powerful bonding element, test others as well. End note. Scan suggests pronounced activity in subject’s caudate nucleus as well. Begin note: What’s going on? The caudate nucleus is associated with maladaptation and obsessive behavior. Are the sounds various subjects reported hearing be linked? Can something heard affect us like this? Can sound be a vector of sorts? This does not look good. End note.

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Monday, October 06, 2008

spec fic: literary vs entertaining?

At the recent Manila Book Fair, Kenneth Yu, Jade Bernas and I were part of a panel and spoke about publishing (as publishers of Philippine Genre Stories, Story Philippines and PSF).

I told Kenneth - and the audience - that the editorial "policy" (this is such a slippery word and is a combination of aesthetics, poetics and whathaveyous) of the antho Nikki and I edit is unabashedly literary - which is to say, we tend to publish more stories that she and I consider to have literary merit. This slant (which can, yes, be called a bias) is reflective of our own tastes as readers and writers (aside: Nikki and I have our disagreements on stories, which makes story selection quite interesting). The stories Nikki and I like to read, and those we attempt to write (whether successfully or not - the thing is in the doing and trying again), reflect this.

What does this mean? Personally speaking, the very core of this is my admiration for a well-written story. On one hand, it needs to work simply as a story, on a story level, on a reader level. On the other hand, it needs to, on some other level/s, be more than just a story: I look for "literariness". My taste in stories is deeply influenced by the "what" and "how" elements in the narrative text - how these are handled by the author.

There are at least two levels in a narrative text: something that occurs is related or told in some way. In structuralist terminology the "what" of the narrative is called story, the "how"is called discourse . Story consists of events and existents. Discourse consists of the various elements of transmission. I look at these elements when I read, and along with the sensibilities I've gotten from reading other books and stories plus the deep influence of my writerly growing-up experiences plus my own ongoing shifts in taste plus other things that influence me whether I am aware of these or not (pop culture, music, art, life), and then come up with my opinion on whether or not a story worked - for me. So yes, I do have a preference, a leaning towards well-written stories, literary stories.

But this does not mean that I will squash a story that does not "live up" to what I think makes a good story. There are many stories I've encountered that defy what I think makes a well-written story that manage to move and provoke me anyway (in the very first year of PSF, for instance, Khavn' story floored me). This constant testing of my own boundaries of taste/preference is what makes being a reader and an editor so rewarding. Once in a while, a story comes along that causes an upheaveal in my view of things, and I am left reeling, and smiling. As a reader, I need to be able to read beyond my preferences. And as an editor, I need to be willing to stretch and snap and accept and explore spaces and learn - so that as a writer I can use new techniques, new ways of approaching narrative modes, focalization, representation of consciousness, plot, narrative voice and so on, so I can tell a better story, or tell my story in a different way.

In the same panel, Kenneth said that if Philippine Speculative Fiction is unabashed literary, then his publication, Philippine Genre Stories, is unabashedly not. Jade Bernas said that the main editorial guideline of Story Philippines in terms of selecting which story to publish is that the story must be entertaining. I love these two publications and agree with them - that stories need not be literary, that entertainment is not a bad thing. Does that make PSF and PGS and Story Philippines at odds with each other?

Absolutely not.

There are many different kinds of stories and no one editor should be able to say "Hey, only this type of story is good." I am definitely for a plurality of voices and publish just one antho a year - which should not be taken as the authority. The developing spec fic scene is here because there is Philippine Genre Stories, and Story Philippines, and Philippines Free Press, and Philippine Graphic, and other publications now and in the past. The developing spec fic scene exists because writers were writing fantasy, science fiction and horror earlier than Kyu or Jade or I began publishing. And the spec fic scene (I confess discomfort with this word "scene", but nevermind) will go on because of other editors, other writers, other critics, other publishers. But Kenneth, Jade and I do what we can, publishing spec fic stories that are entertaining or literary or whatever.

The goal, after all, of our three publications is to be read. And it is the reader who has the makes the choice to read or not read, buy or not buy.

The literary spec fic story can and should be entertaining (thought-provoking or moving or intriguing or delightful or funny; in other words, able to engage the reader) as well - my only caveat (which, for what should to me be a non-negotiable, is more and more often happily dismissed by a story that simply works) is that the story be well-written.

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Wednesday, October 01, 2008

talking spec fic

I'm glad that a lot more people are talking about speculative fiction (PGS collects the various threads here). Some reacted to one of my posts on the need for a critical framework for Philippine spec fic, others blogged after the LitCritters panel at UP, others react to the continuing publication of the anthology I co-edit, some take issue with the term "spec fic", some demand for the "movement" (note the quotation marks) to validate itself, some ask where the Filipino and regional language stories are (as I told Luna Sicat, and as I've written about before, I also want to see anthos dedicated to spec fic that is not English), some react to other bloggers, and so what we happily have at this point are conversations between authors, readers, editors, and critics (both from academe and from outside academe).

(UPDATE: Adam David looks at the stories in PSFIII, beginning with Apol Lejano-Massebieau's "Pedro Diyego's Homecoming". Hopefully, he gets through the entire book.)

It is vital that we keep talking to each other, that we ask difficult questions, that we wrestle as we write and produce stories, that we publish and read, that we communicate. Of course we will never all agree on everything, but that is the way of things - we grow because of differences in points-of-view, in our poetics and approaches and philosophies, and yes, how we define things.

I look at all of these discussions and seething blog posts, even the dismissive and seemingly narrow-minded ones, as much-welcome activity. I am but one voice in a plurality of writers and editors and publishers here, offering one man's perspective - we need more and more ways to look at things. I'm glad spec fic - the writing, the production, the definition, the approaches - is provocative.

It should be.

Prior to putting out the first annual Philippine Speculative Fiction antho, we barely spoke about these things. Now we're talking, and the arguments are fast and furious and heartfelt and intellectual and off-the-cuff and fresh - thanks to the power of the internet which allows all of us to speak our minds in any way we please in our blogs (as opposed to having to wait for a letter of comment or a critical essay to be published somewhere in print). My stand in all this is to encourage discussion (but also to reiterate my focus - that all this talk is well and good, but at some point we all need to stop talking and get to writing stories, which, in turn, will provide us more things to talk about later).

I love the fact that I am not alone in struggling with what spec fic is, and what makes filipino spec fic, and where it is going or what it needs to be, and what it means to be a Filipino writer of speculative fiction, and what speculative fiction means. I'm glad that people feel strongly enough to write and to question and to try to parse out answers and positions.

My hope is that sometime soon there will be other anthologies of spec fic published here, in different languages, helmed by editors with different poetics. I want to see the day when the genres under the umbrella have their own anthos, something like The Year's Best Filipino Fantasy or Best Tagalog Science Fiction - there should be, as these genres predate the umbrella term. I want to see magazines and publications dedicated exclusively to scifi, horror or interstitial fiction. I want fantasy workshops in Iluko or Bicolano. And where is the spec fic poetry? Mikael Co, for example, has made his mark on the Philippine poetic landscape because he writes excellent nationalistic poetry in both English and Filipino (he's a back to back Palanca 1st prize winner in Poetry in both languages)- why can't there be poetry for pinoy scifi or fantasy?

Someone should do it. Someone should do these things.

Someone should put together these anthos in different Philippine languages, create new publications, organize workshops, and champion these forms of writing.

People should start working towards concrete answers to their demands, write the stories that we lack, and create the texts that will describe the map of our writing. People should market their works, get readers excited and reading, and hopefully inspire more people to write in this vein, understanding that business (publishing) and the market (the readers) are part of the literary landscape and the cycle of production.

In my own small way I do what I can (PSF is self-published and every year is a struggle to come up with funding), as do publishers like Kenneth Yu, businesses like Fully Booked, bigger entities like Anvil, but clearly we ought to work harder to create more spaces, more opportunities.

In the future (since I embrace the "speculative") I want to see, here in our store bookshelves, and in the hands of readers, Filipino books filled with spec fic, similar to the ones a search on Amazon.com for "speculative fiction" brings (some descriptions cut-and-pasted):

Encountering Enchantment: A Guide to Speculative Fiction for Teens - From School Library Journal - This useful guide should be in every YA collection. It encompasses 13 genres and subgenres included in the term "speculative fiction" and focuses on in-print titles published in the last 15 years. Each subgenre is clearly defined, and most of the 1400 titles are accompanied by a brief synopsis. Awards for each title are noted. At the end of each section, the author lists exemplary titles. The volume is well indexed, providing access by author, title, subject, and award. A bibliography and webliography point to additional resources. Other features include programming ideas, best titles for book clubs, and those available in A/V formats. The author interview in each subgenre is a welcome addition.

New Wave of Speculative Fiction: The What If Factor - "brimming with quality writing, speculation about what might be, a mix of horror, fantasy and sci-fi, as well as some new twists on classic themes."

The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction's Finest Voices - Declaring that short stories are the heart and soul of fantastical fiction, prolific and venerable editor Datlow collects 16 impressive original stories in this unthemed anthology. Standout selections include Margo Lanagan's deeply disturbing The Goosle, which eloquently corrupts the Hansel and Gretel fable with bubonic plague, sexual slavery and mass murder; Jason Stoddard's The Elephant Ironclads, which describes an emergent 20th-century Navajo nation struggling to become a world power while staying true to its culture; Elizabeth Bear's Sonny Liston Takes the Fall, a poignant tale about the life, death and sad legacy of the troubled heavyweight fighter; and Pat Cadigan's Jimmy, a strange and supernatural coming-of-age story set in the moments just after John F. Kennedy's assassination. The thematic diversity and consistently high quality of narrative throughout make for a solid and enjoyable anthology.

Sum3: The 2006 Zircon Anthology of Speculative Romance - A secret agent investigating murders of an extraterrestrial origin. A desperate guardian of a people's last hope. A rebellious lady artist in the English countryside. A farmer's boy. A college professor. An assassin. What do all these people have in common? They're all going to fall in love...with someone, somewhere, somewhen. And falling in love can change the world.

Wilde Stories 2008: The Best of the Year's Gay Speculative Fiction - As such literary movements as interstitial and slipstream gain momentum, more and more authors interweave their traditional stories with gay themes as coming out, homophobia, and self-as-other, with a bit of the strange and weird. Named after one of the founding fathers of gay speculative fiction, Wilde Stories is a new annual anthology that offers readers the best of such stories from the prior year. Editor Steve Berman, a finalist for both the Lambda Literary and Andre Norton Awards, has collected an engaging selection of the fantastical, the strange, and the scary from such notable authors as Victor J. Banis, Hal Duncan and Lee Thomas.

Redshift: Extreme Visions of Speculative Fiction

Dark Matter: A Century of Speculative Fiction from the African Diaspora

Speculative Japan: Outstanding Tales of Japanese Science Fiction and Fantasy

Tesseracts Eleven: Amazing Canadian Speculative Fiction

Wyrd Wravings: An Anthology of Humorous Speculative Fiction

Obliquity: Speculative Fiction from the Pacific Northwest

Agog! Terrific Tales : New Australian Speculative Fiction

Nova Scotia: New Scottish Speculative Fiction

Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction


The short story form cannot be claimed exclusively by academics (I've read that some people actually think this way). Spec fic short stories can and should be written by anyone who wants to tell a tale of the fantastic. Every story need not be impregnated by agenda, be it a literary slant or nationalist agenda. Each story need not be imbued with gravity or be a vessel for national transformation. These things are for each individual author to decide upon, based on their aims, philosophies or poetics - and for the critics to parse. Stories can be light and humorous, entertaining reads (yes, we should disempower the negative connotations cast upon the term "entertainment" as well).

For we working writers, what is non-negotiable is that our speculative fiction must tell a story in the best way we can, engage the reader and open a door into the fantastic.

And that we keep on writing.

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Sunday, March 02, 2008

exotic gothic 2

One of my new stories, "Remembrance", will appear in Exotic Gothic II: New Tales of Taboo, edited by Danel Olson (the sequel to the anthology Exotic Gothic) to be published by Ash Tree Press later this year.

I'm particularly delighted to be part of this international anthology of dark fiction. My story is set in a village beneath the shadows of hundreds of suspended coffins and is about a boy who dies there.

Here's the alphabetical listing of authors from Danel:

Dean Francis Alfar (Philippines)
Peter Bell (England)
Isobelle Carmody (Australia)
George Makana Clark (Zimbabwe/USA)
Nancy A. Collins (USA)
Edward P. Crandall (USA/Japan)
Stephen Dedman (Australia)
Terry Dowling (Australia)
Steve Duffy (Wales/England)
Tony Eprile (South Africa/USA)
Christopher Fowler (England)
Adam Golaski (USA)
Genni Gunn (Canada)
Robert Hood (Australia)
Roberta Lannes (USA)
Elizabeth Massie (USA)
Kenneth McKenney (FIJI)
Deborah Noyes (USA)
Frances Oliver (Austria/England)
Sarah Pinborough (England)
Nicholas Royle (England)
Barbara Roden (Canada)
Claude Seignolle (France)
Michael Marshall Smith (England)
August Tarrier (USA)
Lucy Taylor (USA)
Steve Rasnic Tem (USA)
Thomas Tessier (USA)
Tia V. Travis (Canada/USA)
Douglas Unger (USA)
David Wellington (USA)
John Whitbourn (England)

Podcasts of select stories from the first volume are right over here.

Many thanks to Danel for having me.

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Wednesday, February 27, 2008

fantasy & enchantment

"Tales of Fantasy and Enchantment" is the new anthology edited by Cristina Pantoja-Hidalgo (Milflores Publishing, 2008). By next week, it should be available in all National Bookstore and Powerbooks branches nationwide. Nikki and I are delighted to have a story each in the book, alongside imaginative fiction from a variety of Filipino writers. Of particular note is Ian Rosales Casocot's wonderful "The Sugilanon of Epefania's Heartbreak", which I think is one of his best (if not his best) stories - easily a shoo-in for any Year's Best-type book for later this year.

Many, many thanks to Jing and Milflores!

Manananggirrrl by Marivi Soliven Blanco
The Sniffles by Carljoe Javier
Some Kind of Noir by Karl R. De Mesa
A Tidy Little Tale by Jose Claudio B. Guerrero
Graveyard Shift by Andrea L. Peterson
Haunted by BJ A. Patino
The Haunting of Martina Luzuriaga by Vicente Garcia Groyon
Monkey Watching by Romina Ma. Gonzalez
Martines by Anna Felicia C. Sanchez
The Stranded Star by Nikki Alfar
The Middle Prince by Dean Francis Alfar
The Sugilanon of Epefania's Heartbreak by Ian Rosales Casocot
Green Girl by Cyan Abad-Jugo
The Gyutou by FH Batacan
Mallina the Lovely by Tara FT Sering
The Other Daughter by Daryll Delgado
Orange by Natasha B. Gamalinda
A Secret Affair with Basti Artadi by Samantha Echavez
War Zone Angel by Emil M. Flores
The Fortune Teller by Gizela M. Gonzalez

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Tuesday, February 12, 2008

times are changing

While trawling through the net while waiting for my iPod to disgorge its music into the new laptop (the best way without third party software, by the way, is to link up the iPod, treat it as an external device and view the hidden files - which is where all the music is - and copy-paste everything into the destination iTunes), I found an article by Elmer Ordonez about last year's PEN 50th anniversary.

"Fifty years ago the first national writers conference organized by Philippine PEN had for theme “The Filipino Writer and National Growth.” Times have changed. Where nationalism was the overriding concern of writers of the fifties, now the writers particularly the younger ones, are into literature without frontiers, novel ways of writing like “speculative fiction,” literary blogs and the migration of at least eight million Filipinos working abroad.

(more)

On one hand, it's great to note that we're being noted. On the other hand, it's amusing to note that some people consider genre fiction a novel way of writing. Fantasy, science fiction and horror have been around much longer than 50 years, after all. But what matters to me is that spec fic is being written today, in all its different forms. There are markets (magazines, periodicals, anthologies) that are growing (and while it isn't spec fic, crime fiction is clearly genre fiction, and PGS is prepping a special issue guest-edited by Ichi Batacan, author of the prize-winning "Smaller and Smaller Circles") and being read and talked about. I especially like the fact that it is younger writers who are doing most of the writing. Hopefully, in generations to come, there will less and less angst and guilt about writing spec fic (in the context of national literature).

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Saturday, February 09, 2008

ateneo heights and high school

These past two week have seen me over Ateneo twice, both times to talk about Speculative Fiction.

The first was at the invitation of the Ateneo Heights and I was accompanied by Kyu (of Philippine Genre Stories fame). The talk was fun and open and I think I said most of what I wanted to say about spec fic (at least for one session - people who know me know that I have quite a bit to say on the matter). It was a wonderful intelligent audience (and quite a friendly one - I was especially happy to note multi-awarded playwright Glenn Mas, the best dramatist of my generation as far as I'm concerned). After the talk, I signed books and answered some more questions.

The next week I was at Ateneo High School, speaking in front of an English class - once again a wonderfully intelligent and insightful audience (can the old La Salle boy in actually have praised Ateneo folk twice in one post? But it's all true). At the invitation of Enzo Dayrit and his beautifully named partner Francis Dean, I talked about fantasy, horror, scifi and magic realism and encouraged the young men to write fiction that engaged them, stories that matter to them. They have a writing assignment - and guess what? It's speculative fiction! I said I'd publish the best and so my toes are crossed.

Talking to young people about something I'm passionate about is really rewarding. I hope to influence even just a handful, even just one person, to pick up the pen and start writing spec fic and contribute to the growing literature of the fantastic in the Philippines.

Earlier, that was what Kyu and I were talking about. Change cannot come overnight. It will be long and gradual process. Even if I'm not there when things are as we dream, I'm more than happy to help out in my small way, as much as one man with a loud voice can do, haha.

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Thursday, February 07, 2008

peekli

"Peekli", Andrew Drilon's gently nuanced piece of speculative fiction involving a semigod's investigation, can be read over at Bewildering Stories (and made the Editor's Choice list in last year's Quarterly Review). Nikki and I loved this story (it's anthologized in Philippine Speculative Fiction III).

Don Webb is the managing editor of Bewildering Stories, and though BS (now in its sixth year) isn't a paying market, I fully support him and the site (Gardner Dozois, of The Year's Best Science Fiction antho series has identified BS as a source of good stories). Two of my earlier stories have appeared there (The Middle Prince and Into the Morning) with a third coming soon (The Maiden and the Crocodile).

It's a great place to read and share stories.

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Tuesday, January 29, 2008

heights talk & kite at nbdb


This Friday, I'll be speaking about spec fic at Ateneo, courtesy of the good folk of the Heights. It's from 4:30-6PM and I hope to see you there.
Ateneo seems to like me this month as I have another soon-to-be confirmed speaking engagement there around next week.
And a couple of weeks from then, on Feb 15th at 2PM, Tara Sering moderates the National Book Development Board's discussion of my collection "The Kite of Stars and Other Stories" (here's the link for details).
This is interesting as I feel so distant from the stories in that collection, since the creative process of writing and developing them took place literally years ago and I'm now in a new place developing new stories. What the general reader doesn't realize is that whatever is published or printed is already old (to the author) by the time of publication (in relation to when it was written) - even Salamanca, written in late 2004, and accepted for publication in 2005, was published in 2006 (and that was considered fairly quick); I think only the Philippine Speculative Fiction anthos are faster (we select stories, edit, publish and launch in a few months).
I stand by every story in "The Kite", of course (yes, even the ones that, now, seem rather...eh) and would love to hear what other think. I just have to reread everything. The part of me that constantly wants to learn is stoked.

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Monday, November 05, 2007

kyu's house

Kudos to Kenneth Yu of Philippine Genre Stories! His story "House 1.0" appears over at The Town Drunk - go and read.

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Monday, October 29, 2007

tales TOC

Firmly within the environs of the realm of the fantastic, "Tales of Fantasy and Enchantment" edited by Cristina Hidalgo (Milflores) hit the shelves before the year ends. Here's the table of contents:

Manananggirrrl by Marivi Soliven Blanco
The Sniffles by Carljoe Javier
Some Kind of Noir by Karl R. De Mesa
A Tidy Little Tale by Jose Claudio B. Guerrero
Graveyard Shift by Andrea L. Peterson
Haunted by Bj A. Patino
The Haunting of Martina Luzuriaga by Vicente Garcia Groyon
Monkey Watching (novel excerpt) by Romina Ma. Gonzalez
Martines by Anna Felicia C. Sanchez
The Stranded Star by Nikki Alfar
The Middle Prince by Dean Francis Alfar
The Sugilanon of Epefania's Heartbreak by Ian Rosales Casocot
Green Girl by Cyan Abad-Jugo
The Gyutou by FH Batacan
Mallina the Lovely by Tara FT Sering
The Other Daughter by Daryll Delgado
Orange by Natasha B. Gamalinda
A Secret Affair with Basti Artadi by Samantha Echavez
War Zone Angel by Emil M. Flores
The Fortune Teller by Gizela M. Gonzlalez

Lots 0f stories I'm dying to read.

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Monday, September 24, 2007

a wondrous can of worms

I am, of course, delighted with all the discussions on just what the hell "Philippine Speculative Fiction" is. Kyu has a list of people expressing opinions left and right, with very interesting and strongly-worded stances from Bhex and Tin and Sean.

It reminds me of the fact that I was supposed to be ruminating about this thing myself (started here with Parts One, Two and Three, limiting myself to two discourse elements first: character and setting) before real life and work took over.

I'm happy that there is impassioned discussion because it shows that there are people who care about this thing. Yes, I subscribe to the "write the story first and let the critics do what they do best but dammit write" but I am also a card-carrying member of the "you are responsible for what you write and it is your responsibility as a writer to know just what it is you're getting yourself into", as well as of the school of "the story doesn't come out of nowhere but is a text constructed by the author, which means that there are no accidents where it matters", and the "shut up, suck it up, grow up, you overly sensitive moronic writer" philosophy. I also pay dues to: "no one tells me what to or what not to write", the "literature must 'help' others", "language does not equal nationalism", "at a certain point, enough of this postcolonial anxiety, just write", and I have a blood-stained pin from the "show me what you mean - write a story that conforms to the theory you espouse; if you can't put up, shut up".

Oh, and I am a Filipino who writes in English (it seems that the order of the day is define, define, define).

Now the wonderful thing about this can of worms is that writers are being forced to consider issues that they normally are unaware of (or choose to ignore). Writing is political (yes, I get monthly magazines from "the personal is political" club too), and a writer's life does not begin and end purely with the text he or she produced.

It would seem that I am expected to weigh in on the issues discussed. To a great extent I have, though as I have posted before, I am not 100% persuaded by my own reasoning (there's lots to consider). I will write more on these subjects - soon.

In the meantime, I encourage more people to weigh in. Nothing is set in stone. Do not be intimidated by the academic-sounding articulations of some bloggers (they can't help their background, as they razzledazzle you with theory and jargon - their hearts are in the right place).

My only contribution at this time is to define (there it is again) how I view the big picture. As the co-editor with Nikki on an anthology called "Philippine Speculative Fiction", I am more descriptive than prescriptive.

Tin Mandigma writes: "People might say that making prescriptions and definitions is a critic’s job, as if writers sleepwalk their way through their stories, and as if speculative fiction writers, especially, are exempt from the responsibilities of writing literature because they claim to simply be ‘telling stories’ (excuse me)."

Wearing my editorial hat, I do not believe, at this stage in the development of PSF, that prescription is the best way to get excellent spec fic from a variety of writers. In the context of the annual antho, I'd rather present a variety of stories, including the occassional one that challenges what I think spec fic is. We need to see what grows, reading new stories every year, each story contributing to the definition. The answer to "What is Philippine Speculative Fiction?" is "A definition in progress". At this point, I'd rather err in terms of being inclusive than exclusive.

So I am anti-prescriptive, yes.

But wait! I am also pro-prescriptive.

As a writer, I firmly self-prescribe when I develop a text. My story needs to satisfy the unwritten rules of my own personal writing aesthetics, gently but truthfully represent my literary (and other) politics and sensibilities, be of a certain quality I personally judge to be acceptable (mas maganda sa Pilipino: yung hindi naman nakakahiya ipabasa sa iba), and, of course, tell a story.

And now, off to do some writing.

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Friday, September 07, 2007

expeditions from fully booked

November brings the publication of the winners of 1st Philippine Graphic Fiction Awards from Fully Booked in the anthology "Expeditions".

The book launch is scheduled for late November at Fully Booked Bonifacio High Street, together with the awarding ceremony of the 2nd Philippine Graphic Fiction competition with Neil Gaiman as co-presentor.

"Expeditions" is composed of fiction and comics. The speculative fiction portion features the winning stories, "The God Equation," "A Strange Map of Time," "The Great Philippine Space Mission," "The Omega Project," and "Atha" as well as selected short listed works. The comics part will showcase the winning "Hika Girl," " SPLAT!," "Defiant: The Battle of Mactan," and "Dusk" along with selected short-listed entries. Foreword by Neil Gaiman, cover art by Leinil Francis Yu.

Congratulations to Ian and Michael and all the winning storytellers. Make sure to join this year's competition.

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